The most recent cinematic re-imagination of Mulan is the Chinese live action film Hua Mulan 花木兰 by Jingle Ma 马楚成 from 2009, but its representation of a national myth demands transnational interpretation because of Disney’s globally popular Mulan (1998) franchise, directed by Tony Bancroft and Barry Cook. The myth of Mulan, an ordinary woman who serves in the army disguised as a man in her enfeebled father’s place and becomes a hero, has undergone subtle yet significant changes throughout Chinese history when Mulan emerges from layers of narratives as the quintessential woman warrior after centuries of retelling and reinterpretation in literary and visual texts.
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